I have to play with THE amp I am playing with feel-wise - cant artificially add that in the mix without losing playing feel and nuances responding to the amp while playing. That switch plays havoc for apollo twin duo on dsp count - something in the recording chain has to drop with those amp sims. As I start to dial in the sound on the marshall, chandler and friedman - sure they will take over. But got comfortable with the vintage brown. Everything is telling me given they are recent releases, high dsp count that I should be making the switch. The heavier crunch and lead stuff has now moved from the vintage heavier amps in the room (never took to the metal room) to the freidman, chandler and marshall and not touching the ENGL so much.īy dialing down the inputs on the marshall and chandler been getting a nice clean sound but have not taken the vintage brown amp out of my template. I am in the minority it seems - I have the middle brown amp as my template in console as I tend to center around a clean fender amp sound in my songwriting.
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The original amp upon which this model is based has been widely used during the last forty years, from classic pop recordings in the '60s through to today's users, playing mostly independent and alternative rock.Last year June special price dropped from 199 to 129 on vintage amp room so maybe even lower this year in a few days. All three channels sound fantastic, but if you want to add a little quirkiness, check out Green's vibrato/tremolo channel. Green is based on a very adaptable three-channel amp model. Its edginess makes it shine through in mixes, without drowning out other instruments. Green is packed with character and produces a pleasant guitar sound with warm yet intense power amp distortion. Versatility embodied, it can do more or less whatever you want it to. It's got a notoriously warm sound with a massive bass and a shimmering treble. It works for both funky rhythms and bassy, mellow chords. Brown can produce anything from the clearest country-style sound for steel guitars to a dirty, bluesy guitar noise. It's been used in all kinds of genres, and for all kinds of instruments, thanks to a sound that is clean, crisp and clear, but also warm, thick and punchy. Pull up clean-to-grainy yet rich tones from BrownĪmp Room Brown is based on one of the most versatile amplifiers in music history. It's perfect for when you need a characteristically distorted edge and a powerful roar.
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This amp model goes from mad screaming preamp shred to warm, speakers-about-to-break power amp distortion. It's stripped down to the bare essentials you get all tubes, only one channel, and no reverb or any other built-in effects. White is based on an all-around great amp that set the industry standard for classic distorted rock and roll sounds. Because after all, only you know exactly what sound you want. The goal is not to give you a pre-produced, "ultimate" guitar sound, but rather to provide you with the ultimate tool to create your own. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw.
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NOTE: This product requires that you have an iLok account for authorization, although it does not require a physical iLok key. These Straightforward Vintage Amp Models Sound Amazing! Marching Percussion Accessories Shop By Category Guitar Workshop Keyboards & Synthesizers Shop By CategoryĬase Finder Drums & Percussion Shop By CategoryĬable Finder Microphones Shop By CategoryĬase Finder DJ Equipment Shop By CategoryĬable Finder Band & Orchestra Shop By Category
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